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	<title>blahg blahg blahg: The online home of Colin Frangos &#187; Methodology</title>
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	<link>http://colinfrangos.com</link>
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		<title>Domino&#8217;s Stops Screwing Cheese</title>
		<link>http://colinfrangos.com/blog/2010/09/dominos-stops-screwing-cheese/</link>
		<comments>http://colinfrangos.com/blog/2010/09/dominos-stops-screwing-cheese/#comments</comments>
		<pubDate>Thu, 16 Sep 2010 23:05:40 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Methodology]]></category>
		<category><![CDATA[Our Times]]></category>

		<guid isPermaLink="false">http://colinfrangos.com/?p=465</guid>
		<description><![CDATA[Domino&#8217;s Pizza has been trying to convince you that they are no longer a big, insensitive corporation who does a lousy job of creating products and will cut any corner if it benefits the bottom line. Whatever. One of the things they did to this end was post this documentary on the way pizza commercials [...]]]></description>
			<content:encoded><![CDATA[<p>Domino&#8217;s Pizza has been trying to convince you that they are no longer a big, insensitive corporation who does a lousy job of creating products and will cut any corner if it benefits the bottom line. Whatever. <span id="more-465"></span></p>
<p>One of the things they did to this end was post this documentary on the way pizza commercials are shot: </p>
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<p>Pretty neat. The amount of work that goes into making a TV pizza look slightly more appealing than a real world pizza is remarkable.</p>
<p>I find it interesting that they view not staging photo shoots to be a sign that they&#8217;re being more honest. What&#8217;s next? No lights on set? No scripts? No make-up? Where do they draw the line at what counts as staging? Obviously they&#8217;re going to do some things to make things camera-ready, where do they draw the line on what&#8217;s honest and what&#8217;s dishonest? And who said film is by it&#8217;s nature &#8220;honest&#8221;?</p>
<p>I&#8217;ll never eat their pizza, but I&#8217;m grateful they showed someone screwing a pie to a cutting board and then covering the screws with pepperoni.</p>
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		<title>Recording: the Ovipositor Method</title>
		<link>http://colinfrangos.com/blog/2010/05/recording/</link>
		<comments>http://colinfrangos.com/blog/2010/05/recording/#comments</comments>
		<pubDate>Tue, 18 May 2010 17:11:40 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Methodology]]></category>
		<category><![CDATA[Music/musicians]]></category>
		<category><![CDATA[Rock'n'roll]]></category>

		<guid isPermaLink="false">http://colinfrangos.com/?p=391</guid>
		<description><![CDATA[People often ask me, &#8220;Colin, how do you get that crazy sound? You know, your sound &#8211; the Beatnik Dungeon Sound.&#8221; Let me show you.]]></description>
			<content:encoded><![CDATA[<p>People often ask me, &#8220;Colin, how do you get that crazy sound? You know, your sound &#8211; the Beatnik Dungeon Sound.&#8221; Let me show you.<span id="more-391"></span><p><a  href="http://colinfrangos.com/blog/2010/05/recording/" title="Permanent Link to Recording: the Ovipositor Method">Pictures from an exhibitionist.</a></p></p>
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		<title>Guitar Photography</title>
		<link>http://colinfrangos.com/blog/2010/03/guitar-photography/</link>
		<comments>http://colinfrangos.com/blog/2010/03/guitar-photography/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 02:06:52 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Methodology]]></category>
		<category><![CDATA[Music/musicians]]></category>
		<category><![CDATA[Objects of Interest]]></category>
		<category><![CDATA[Rock'n'roll]]></category>

		<guid isPermaLink="false">http://colinfrangos.com/?p=316</guid>
		<description><![CDATA[Pics of instruments.]]></description>
			<content:encoded><![CDATA[<p>Pics of instruments.<span id="more-316"></span><p><a  href="http://colinfrangos.com/blog/2010/03/guitar-photography/" title="Permanent Link to Guitar Photography">Pictures from an exhibitionist.</a></p></p>
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		<title>Soundcheck the Soundtrack</title>
		<link>http://colinfrangos.com/blog/2009/07/soundcheck-the-soundtrack/</link>
		<comments>http://colinfrangos.com/blog/2009/07/soundcheck-the-soundtrack/#comments</comments>
		<pubDate>Tue, 14 Jul 2009 21:06:50 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Methodology]]></category>
		<category><![CDATA[Music/musicians]]></category>

		<guid isPermaLink="false">http://colinfrangos.com/blog/?p=161</guid>
		<description><![CDATA[With some regularity, I assemble a group of musicians in my basement studio to record soundtracks for films or audio pieces (under the Nadir Novelties banner, for the most part). I usually have a rough conceptual outline of how the song should feel and what parts need to happen, which we usually discuss back and [...]]]></description>
			<content:encoded><![CDATA[<p>With some regularity, I assemble a group of musicians in my basement studio to record soundtracks for films or audio pieces (under the <a  href="http://nadir-novelties.net/" target="_blank">Nadir Novelties</a> banner, for the most part). I usually have a rough conceptual outline of how the song should feel and what parts need to happen, which we usually discuss back and forth for a bit. Then we improvise. <span id="more-161"></span></p>
<p>For the most part, I don&#8217;t edit or overdub additional parts. I&#8217;d rather solve problems by mixing things out or re-pacing the narrative than redo or cut the music, and for the most part this approach has been successful. I&#8217;ll often have multiple guitars and amps set up around the room that I (or whomever) can move between for different parts, in the hope that if something really needs more going on that this is an easy way to give it that.</p>
<p>There have been some interesting results:<br />
Eine Kleine Bahn Musik: <a  href="http://colinfrangos.com/blog/audio/road_test.mp3">Download audio file (road_test.mp3)</a></p>
<p>Theme from the Kind of Bar I&#8217;d Like to Drink In: <a  href="http://colinfrangos.com/blog/audio/bar_music.mp3">Download audio file (bar_music.mp3)</a></p>
<p>Team Canada is for Winners: <a  href="http://colinfrangos.com/blog/audio/bowed_guit-final.mp3">Download audio file (bowed_guit-final.mp3)</a></p>
<p>We also took the show on the road once:</p>
<p>Theme from OUCH: <a  href="http://colinfrangos.com/blog/audio/ouch.mp3">Download audio file (ouch.mp3)</a></p>
<p>Outro: <a  href="http://colinfrangos.com/blog/audio/ms_outie.mp3">Download audio file (ms_outie.mp3)</a></p>
<p>This was fun, and might well happen again. The goal was to make background music that would blend in at a bar, but be engaging if you listened to it. It was also to record some tracks in a non-studio setting. I&#8217;m not a technically adept musician, so in order to make variations on a theme I find it much easier to play it live &#8211; that is, make the means and context of the recording different in order to add variation. Joe Frank&#8217;s radio shows make good use of this same concept: when he records a conversation over the phone they sound &#8220;real&#8221;, as though the people presenting them are talking about themselves, not going off of a script.</p>
<p>It&#8217;s interesting to me to listen to these songs without what will become their accompanying narrative. My goal in recording sessions is focused on their end use, but the musicians I&#8217;m working with don&#8217;t know what that&#8217;s going to be, so they&#8217;re going off of whatever cues I&#8217;ve suggested technically and emotionally. I&#8217;m lucky to work with some very skilled and creative musicians, who invariably surprise me with what they bring to these songs.</p>
<p>Eugene Chadborne made an interesting observation about how horror movie soundtracks often make use of modern composition techniques. Lots of sparse percussion and non-orchestral themes, howling, and assorted other isolated spookiness. In that context, this blatantly modern music is accepted by a very wide audience. The same audience would generally not be interested in that music as a live event. I&#8217;m okay with that. I think music that exists for a narrow audience when presented on its own but a wider audience when paired with something else is actually pretty interesting.</p>
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		<title>Bad Math with Good Intentions</title>
		<link>http://colinfrangos.com/blog/2009/03/bad-math-with-good-intentions/</link>
		<comments>http://colinfrangos.com/blog/2009/03/bad-math-with-good-intentions/#comments</comments>
		<pubDate>Thu, 26 Mar 2009 22:07:20 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Methodology]]></category>
		<category><![CDATA[Oakland]]></category>

		<guid isPermaLink="false">http://colinfrangos.com/blog/?p=45</guid>
		<description><![CDATA[A conversation got started over on abetteroakland.com about crime in Oakland. V Smoothe (one of the truly great Oakland bloggers), wanted to make the point that crime in Oakland is bad, and to do so she used the FBI&#8217;s Preliminary Annual Uniform Crime Report to build a graph comparing the crime rates of several cities [...]]]></description>
			<content:encoded><![CDATA[<p><a  href="http://www.abetteroakland.com/the-first-step-to-solving-a-problem-is-recognizing-that-you-have-a-problem/2009-03-24" target="_blank">A conversation</a> got started over on <a  href="http://www.abetteroakland.com/" target="_blank">abetteroakland.com </a>about crime in Oakland. V Smoothe (one of the truly great Oakland bloggers), wanted to make the point that crime in Oakland is bad, and to do so she used the FBI&#8217;s <strong>Preliminary Annual Uniform Crime Report</strong> to build a graph comparing the crime rates of several cities to show that Oakland&#8217;s is particularly bad. While I agree that crime is bad and that some people are unrealistic about the existence of a problem, I said that the numbers aren&#8217;t an honest or conclusive comparison of cities.<span id="more-45"></span></p>
<p>Much anger ensued, and the conversation about something very important got derailed into a discussion of how I can&#8217;t do math. I wanted to move the less important part of that conversation over here, to separate it from the important discussion.</p>
<p>Now, V is much smarter than I am and extremely sharp when it comes to analyzing policy issues. I&#8217;m not kidding &#8211; if you want to understand Oakland politics she is a vital source of information. But trying to rank cities based on the ratio of crimes to population isn&#8217;t a particularly good method. <a  href="http://www.fbi.gov/ucr/2008prelim/index.html" target="_blank">As the FBI notes on the page from which V got these numbers:</a></p>
<blockquote><p><strong>Individuals using these tabulations are cautioned against drawing conclusions by making direct comparisons between cities. Comparisons lead to simplistic and/or incomplete analyses that often create misleading perceptions adversely affecting communities and their residents.</strong></p></blockquote>
<p>I should let it go at that. But I do think it&#8217;s important to understand why a simple ratio isn&#8217;t a good tool for comparing cities with significantly different populations. I&#8217;m not sure I can explain it simply and concisely (I failed over on <a  href="http://www.abetteroakland.com/" target="_blank">abetteroakland</a>), but I want to try. Please keep in mind that there are whole books written on this specific issue. It&#8217;s hard to summarize without leaving big holes. Worse yet, I&#8217;m not a statistician, so I&#8217;m not the best person to be summarizing this stuff. I&#8217;m merely dumb enough to try.</p>
<p>Let&#8217;s dig in:</p>
<p><strong>What&#8217;s your problem with simple ratios?</strong></p>
<p>I love simple ratios. They just don&#8217;t tell you much because they&#8217;re simple.</p>
<p>Currently, NYC and Boise, Idaho have the same crime rate as expressed in the violent crimes committed, per 10k citizens stat (<strong>7.8</strong> &#8211; nice job NYC and Boise). You can say fairly that in a simple ratio, the same number of people out of 10k are victims of violent crime in both of these cities. No argument there. The problem comes when you start using this stat to make a qualitative judgment like &#8220;good&#8221; or &#8220;bad&#8221;. Is crime in Boise is &#8220;as bad&#8221; as in NYC? Maybe, but that&#8217;s not borne out by the statistics.</p>
<p>Just having the same ratio of things is very different from equivalency. While both NYC and Boise have the same ratio of violent crime to population, there is more crime in NYC, and it has a different impact on society. Or, to put it another way, 4 out of 5 dentists agreeing that you should chew Trident is a lot different than 4,000,000 out of 5,000,000 dentists agreeing that you should chew Trident. One sample is significantly broader, and likely more representational of the opinion of dentists generally. The sample size matters. A lot.</p>
<p>If, for the sake of argument, there were 5 murders in Boise this year, their murder rate relative to their population would grow substantially (from 3 to 8 &#8211; the highest murder rate in the last 100 years). While the number in that ratio would have gone up dramatically, that doesn&#8217;t mean you can then say crime in Boise is worse than in NYC. There&#8217;s still more crime in NYC. Going further, the way crime affects one city is very different from another. The impact of crime isn&#8217;t quantifiable by the crime stat.</p>
<p>The smaller the sample size, the more dramatic the impact of a single murder. And just as significantly, the smaller the sample size, the more erratic the data. If there were 10 more murders in Boise this year and 5 fewer the next, it wouldn&#8217;t make sense to say there was a crime wave that was solved and the situation was improved based on those numbers. The sample is just too small to compare to a much larger sample.</p>
<p><strong>So why not just take out the lowest population cities so they stop skewing the numbers?</strong></p>
<p>Because the high number skews things as well. It takes a lot of murders for a city as large as NYC to have that ratio move, in the same way that it takes very few in Boise. Any time you use a ratio instead of a mean to make a comparison between 2 data sets, outliers will have an amplified affect. Similarly, the outside points in your sample will by definition skew the ratio disproportionately.</p>
<p><strong>Why not take out both the highs and lows?</strong></p>
<p>This is a better way to represent relative crime more accurately, and the narrower the band you&#8217;re looking at the more accurate the relative crime data is going to be. Even better if you weight the outside points on your sample to compensate for the amount that they will skew the data (for instance, having the ratio be stated in units of 8k at the bottom end of the sample and 12k at the top, with a bell curve in between). But I&#8217;m still not convinced that it says anything about how &#8220;good&#8221; or &#8220;bad&#8221; crime is when comparing 2 different cities. It would probably be more statistically accurate, but it still wouldn&#8217;t be qualitative.</p>
<p>All of this ignores a whole host of other issues that make the UCR a bad tool for ranking cities against each other. It&#8217;s based on self-reported crime stats from police, which can be manipulated for political purposes and aren&#8217;t subject to the determinations of coroners or further adjudication. It doesn&#8217;t account for the ratio of police to citizens, or the tactics utilized by the city for preventing crime. It doesn&#8217;t factor in a whole host of important demographic factors, like relative wealth and education of the citizenry, or population density. It also doesn&#8217;t provide any useful means of accounting for the way crime localizes inconsistently in a given city.</p>
<p><strong>Doesn&#8217;t representing that figure per 10k of population offset the different sizes of the sample?</strong></p>
<p>No. 10k is an easily expressible unit of measurement, but it&#8217;s only expressing the same simple ratio. Oakland&#8217;s violent crime rate per 10k is 98.68, but you can express the same ratio in terms of 100k of population (986.8), 1k of population (9.868), etc. All that means is that you&#8217;re moving the decimal point, not that you&#8217;re factoring in the size of the sample.</p>
<p><strong>This is the standard way of expressing this data. What&#8217;s your alternative?</strong></p>
<p>If you want to make the point that crime in Oakland is bad, post the stats for Oakland. Comparing the UCR numbers for Oakland over the last decade would be an extremely useful exercise, and for that usage the UCR numbers are great. And it would more effectively make the point that V was trying to make: that Oakland has a serious crime problem.</p>
<p>As far as ways to compare crime in cities regardless of the size of the population to determine &#8220;good&#8221; and &#8220;bad&#8221;, I don&#8217;t have one. I don&#8217;t think there is one. How do you compare anything about 2 cities that are entirely dissimilar?</p>
<p><strong>Okay, why does this even matter? This seems like a minor point compared to the one we&#8217;re all trying to get outraged about.<br />
</strong></p>
<p>Because when you post a list of cities and say, &#8220;crime in Oakland is worse than all of those other cities on this list&#8221;, you&#8217;re making a qualitative judgment which the stats don&#8217;t support. In the same way that people were pointing out 2 weeks ago that Oakland&#8217;s murder rate was down 60%, it&#8217;s a sensationalistic use of statistics that doesn&#8217;t actually mean much. And it&#8217;s not like you need to use misleading stats to establish that crime in Oakland is bad. It is.</p>
<p>It&#8217;s similar to the way people point to the Dow-Jones and say that the economy is tanking. Yes, the numbers for the Dow and the data on the general economic state of our country show that both are tanking. But one doesn&#8217;t represent the other. The Dow shows what people are willing to pay for stocks in 30 of the largest companies in the country. While that number bears some relation to the state of the economy, it doesn&#8217;t express the state of the economy. It doesn&#8217;t even express the fortunes of the 30 individual companies it represents. It&#8217;s a very crude aggregate, which is useful for some things, but shouldn&#8217;t be given too much weight on economic issues.</p>
<p>So. I hope I&#8217;ve made the case that UCR stats are not a good metric for comparing cities. That&#8217;s not what they&#8217;re designed to do, and not what they should be used for. But if I haven&#8217;t convinced you, I hope the American Society of Criminology will. <a  href="http://www.prnewswire.com/cgi-bin/stories.pl?ACCT=104&#038;STORY=/www/story/11-16-2007/0004707515&#038;EDATE=" target="_blank">This is the wording of a resolution they passed on this very subject:</a></p>
<blockquote><p>Be it resolved, that the Executive Board of the American Society of Criminology opposes the use of Uniform Crime Reports data to rank American cities as &#8216;dangerous&#8217; or &#8216;safe&#8217; without proper consideration of the limitations of these data.  Such rankings are invalid, damaging, and irresponsible.  They fail to account for the many conditions affecting crime rates, the mismeasurement of crime, large community differences in crime within cities, and the factors affecting individuals&#8217; crime risk. City crime rankings make no one safer, but they can harm the cities they tarnish and divert attention from the individual and community characteristics that elevate crime in all cities. The American Society of Criminology urges media outlets to subject city crime rankings to scientifically sound evaluation and will make crime experts available to assist in this vital public responsibility.</p></blockquote>
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		<title>On the Origin of On the Origin of Species</title>
		<link>http://colinfrangos.com/blog/2009/02/on-the-origin-of-on-the-origin-of-species/</link>
		<comments>http://colinfrangos.com/blog/2009/02/on-the-origin-of-on-the-origin-of-species/#comments</comments>
		<pubDate>Thu, 12 Feb 2009 10:39:11 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Methodology]]></category>
		<category><![CDATA[Our Times]]></category>

		<guid isPermaLink="false">http://colinfrangos.com/blog/?p=28</guid>
		<description><![CDATA[Today is the 200th anniversary of Charles Darwin&#8217;s birth, and lots of rejoicing is taking place around the world. And it should be celebrated &#8211; The Origin of Species fundamentally changed the way humans understand life on this planet. Maybe I&#8217;m splitting hairs here, but it&#8217;s frustrating to me how many times I&#8217;ve heard people [...]]]></description>
			<content:encoded><![CDATA[<p>Today is the 200th anniversary of Charles Darwin&#8217;s birth, and lots of rejoicing is taking place around the world. And it should be celebrated &#8211; <strong><em>The Origin of Species</em> </strong>fundamentally changed the way humans understand life on this planet. Maybe I&#8217;m splitting hairs here, but it&#8217;s frustrating to me how many times I&#8217;ve heard people refer to Darwin as the &#8220;inventor&#8221; of the theory of evolution.</p>
<p>He didn&#8217;t invent the theory of evolution.<span id="more-28"></span></p>
<p>His ideas didn&#8217;t spring fully-formed out of his skull like Athena, they developed over time, based on the work and comments of others. Darwin himself would have been the first to point this out, and I don&#8217;t think it cheapens his work at all to be reminded of this. Based on the work of others, he developed a testable hypothesis, and then gathered data to confirm or refute it. In so doing, he established 2 significant facts: The theory of evolution holds up quite well based on all available evidence, and the scientific method is capable of reaping very significant results.</p>
<p>But Darwin&#8217;s theory of natural selection and his means of establishing evidence for it weren&#8217;t unique to him, and this is another oversight in the current celebration: It ignores one of the other great characters of this era, Alfred Russel Wallace.</p>
<p>Wallace is mostly known (if he&#8217;s known at all) as &#8220;The Father of Biogeography&#8221;. As the story goes, Wallace came to his own theory of evolution independent of Darwin, based on his observations of flora and fauna in what is now Indonesia, where he was working as a specimen collector. He noticed that the organisms on the archipelago from Bali west bore a striking similarity, while the organisms to the east bore a significant <strong>but different</strong> similarity. This line is now known as the Wallace Line. It&#8217;s an excellent illustration of how evolution works: On one side of the line, life evolved from a common set of Asian species (tigers, rhinos, etc); on the other side of the line, life evolved from Australian species. They had adapted to a similar environment (the distance between Bali and Lombok is less than 18 miles at its narrowest), but were quite different from each other based on their evolutionary roots.</p>
<p>After making this key observation, Wallace wrote a letter to Darwin (whom he&#8217;d been corresponding with for about 2 years), sent along a copy of his just-finished essay <em>&#8220;On the Tendency of Varieties to Depart Indefinitely From the Original Type&#8221;</em>, and went back to collecting frogs.</p>
<p>Darwin, who had spent the better part of two decades testing out his theory of evolution, was in the uncomfortable position of being delivered a paper that summarized most of his ideas before he had published them. (As an interesting aside, although we think of the visit to the Galapagos as his &#8220;AHA!&#8221; moment, Darwin was actually trying to establish evidence of variation through domestication, not geography) Previous to receiving that paper, Darwin had been at work on what was to be a massive tome presenting all of his accumulated data as well as the theory itself. The scope of that book was huge, and ultimately probably unrealistic. Since Darwin wanted the credit for establishing the theory of evolution (credit he deserves), colleagues of his had one of his essays on the subject and Wallace&#8217;s paper read together at the Linean Society (Darwin was in mourning over his son, so others attended to his affairs).</p>
<p>Since Wallace was still in Indonesia, nobody bothered to tell him until well after his paper had been read. The next year, Darwin rushed out the relatively slim tract, <strong><em>On the Origin of Species</em></strong>, and fame ensued. Wallace was acknowledged, but regarded as something of a footnote.</p>
<p>I think the fact that Wallace needed to work for a living (and the stratification of British society at the time) has a lot to do with why most people don&#8217;t know who Wallace is. Darwin was a celebrated member of the scientific community from a good family, Wallace was an amateur naturalist who collected specimens in far-flung parts of the world to make ends meet. The existing scientific community was committed to seeing Darwin be The Man, and had been setting him up as such for years. For some bug collector to bumble in and snatch away that prize at the last minute was simply unacceptable.</p>
<p>In the end this was probably a good thing. While Darwin initially had no interest in discussing the evolution of human beings (the subject was too controversial, and he had no interest in fighting that fight), Wallace did. And Wallace was convinced that evolution couldn&#8217;t account for math, art, and higher consciousness generally, so therefore a divine influence was responsible. Wallace was a Spiritualist, a popular cult at the time, that believed in a single god, but also that the spirits of the dead could be contacted. He believed in phrenology. He was, in short, committed to several unscientific ideas. Imagine a world where the theory of evolution had been intertwined with the divine, the world in which Darwin had gone down his domestication rabbit hole and Wallace had established the theory of natural selection. Euch.</p>
<p>Ultimately, Wallace was a keen observer, and Darwin was a scientist. While I do wish there was more discussion of Wallace in the celebrations going on today, I&#8217;m glad he isn&#8217;t the one being mistakenly referred to as the inventor of evolution.</p>
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